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By Coolsaet K.

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If you look through the viewfinder and see color that totally doesn't match what you see with your eye, there's a problem that you need to fix. More often than not, however, you won't spot anything in a color monitor that changes your life, so again the black and white viewfinder may be a better option. As you can see, there's no shortage of details to keep in mind when you're planning a film. The technical concepts introduced in this chapter, including aspect ratio, frame rate, and video standards may at first seem burdensome, but they ultimately provide you with an empowering degree of control.

A series of drawn figures showing a person walking past a white wall. 45 46 If material is too difficult to compress, or if a sequence contains too much information for a DVD player to process during playback, the video will break down. Symptoms include large blocks appearing in seemingly random locations on the screen, or the DVD player may momentarily "hang up" or pause during playback. Temporal compression compares multiple frames of video to look for information that repeats from one frame to another.

If you're a fan of pastrami, Figure 3-4 will likely have tremendous impact. It's a very strong image, in part because the sandwich comes from the famous Katz's Deli in New York City, and if you're ever going to eat pastrami, Katz's is the place to get it. More importantly, the sandwich's proximity to the camera and its dominance of the frame force you to look at the details in the image and take notice. If you're a vegetarian, or otherwise opposed to the consumption of beef, this may be a very unpleasant photo, especially because it's shown as such a tight close-up.

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A 51-dimensional embedding of the ReeTits generalized octagon by Coolsaet K.


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